CLASSIC ROCK

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Post by noreply66 »

Originally from South Carolina, Johnny Corley moved to Philly to sing gospel music. His manager, Jesse James, persuaded Corley, Known as the Fantastic Johnny C. to strut his stuff on a song James had written, Boogaloo down Broadway. The result was one of the most exciting dance numbers of the 60s.

1967


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Baby. I Love You


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Steve Winwood................... Higher Love


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Led Zeppelin........ Rock & Roll


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Frank Sinatra............... My Way


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1967

In Allentown, Pa., two black vocalist backed by five white musicians formed a dance band called Jay and the Techniques. While playing local hops, the Techniques developed an electrifying stage show and then surfaced nationally as a pop act with the lively Apples,Peaches, Pumkin Pie.


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The Doors.................... Roadhouse Blues


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Jerry Lee Lewis ...................Great Balls Of Fire


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Talk,Talk


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1967

Jay Proctor and Karl Landis, worked the soul to death. Not surprisingly,soul was abundant in the Deep South. During the early 60s in Chicago, Los Angeles' Etta James recorded many top-10 R & B songs for Argo, a Chess subsidary, but by 1964 her hits started to dwindle.


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Beach Boys................. In My Room


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Elton John............. Funeral For A Friend/Love Lies Bleeding


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Derek & The Dominos............... Layla


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Percy Faith & His Orchestra............. Theme From A Summer Place


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Jackson Browne.................. Load Out / Stay


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Reflections--Diana Ross and the Supremes


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Aretha Franklin.......... You make me feel like a natural woman


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Post by noreply66 »

In August.1967 Leonard Chess brought Etta James to the Fame Recording Studio in Muscle Shoals, Alabama, to pump some life back into her career.


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Johnny Mathis............. Chances Are


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Under Producer Rick Hall, Fame had become the chief competitor of Memphis' famous Stax label, releasing recordings by Aretha Franklin, Wilson Pickett and Percy Sledge. Tell Mama, co- written by Fame's single most consistent hit-maker, Clarence Carter, was one of the first tracks that Etta James recorded there. The record placed James firmly on the charts and became her signature. Although the James sessions were the final landmark soul sessions at Fame, the studio did become a haven for rock musicians, including the Rolling Stones, and Tell Mama was eventually covered by Janis Joplin.


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